Quote:
Originally Posted by vikulenka
I'll more then happily trade in all of the Baroque and Classical periods combined (save, Bach  ) for the Romantic period (Tchaikovsky, Rachmaninoff, Chopin, Mendelsohn, Schumann, etc.)
And I forgot a very notable straddler, who stood with one foot in "Classical" and the other "Romantic" - hard of hearing though he was - Hirr Beethoven.
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You do bring up a excellent point there Rachmaninoff's piano concerto's
are my favorites..
And my Chopin played by Rubinstein records are priceless to me.
I guess because when I was younger I cut my teeth on Barouqe
and Classical that I have such a strong affection for the music
but Romantic and Modern are more challenging as a listener
and when you "get it" a whole new world of music opens up.
Beethoven took piano lessons from Haydn when he was a young boy
and Haydn was a very old man..I find that amazing.
That backs the one foot in Classical and the other in Romantic...
That's why Beethoven was "the man"...he was a was trully brilliant.